There have been some changes to the user interface, and this includes a vastly improved layers pane. The former image was where Brilliance AI had been applied and the latter was adjusted to my taste after further quick adjustments. The following image shows one of the rare cases where it didn't perform so well. No AI has yet learned what to do with those because they haven't been trained on them. Thirdly, I shoot abstract wildlife shots that show movement, especially birds in flight over water. It didn't get the exposure right with those either, but again,it was easily fixed. Similarly, I have plenty of sunrise seascapes where I deliberately underexpose to prevent the sky details from blowing out. I ran some deliberately underexposed portraits through the software and it didn’t make the images quite bright enough, but that was easily fixed by tweaking the exposure slider. However, there were some areas that it did struggle with a little. ON1 did a fabulous job for standard well-exposed portraits, landscapes, and most wildlife shots. Is Brilliance AI Brilliant?īrilliance AI, NoNoise AI and Tack Sharp AI applied to a high-ISO image shot in low light that was originally underexposed. But the big difference is ON1's Brilliance AI. I found especially useful its ability to identify and mask different features like sky, architecture, foliage, and water. The AI enhancements speed things up when editing. ON1 also groups tonal adjustments separately from color adjustments instead of jumping back and forth between them. Firstly, there is a Midtones slider that Lightroom lacks. Although in some ways similar in appearance, it has some differences from Lightroom. The development tab will look familiar to anyone who has already adjusted raw images. It also has a portrait-enhancing tool that I think works as well as anything on the market and better than many. More about these functions can be found by searching Fstoppers for my historical reviews of previous versions of this software. But here are a few features that are worthy of mention.īesides the AI Noise Reduction that works exceptionally well, ON1 Photo RAW also comes with extra features including an AI-driven resize tool that has taken its highly-respected fractals-based image enlargement to a new level. Of course, it's impossible to include every last function of such a comprehensive program. Using ON1 Photo RAW as a file browser is quick and one can access photos that have not been imported into the catalog. But it also gives full control using layered adjustments, as required by more seasoned photographers. When processing images, ON1 Photo RAW can be used by novices with single-click adjustments. ON1 is built by photographers for photographers. That's unlike Photoshop, which has a far broader user base with numerous complex functions surplus to photo editing. ON1's editing is very much specialized for photography. It’s also a raw development tool and a photo editor a bit like Lightroom Classic’s Develop Module and Photoshop combined into one program. So, in that way, it is like Lightroom Classic’s Library module, but with an additional file browser. It is a comprehensive asset management tool that has a hybrid file browser and catalog. If you are not aware of what ON1 Photo Raw is, here’s a very quick résumé. Leading the way with innovations years ahead of the competition, its functions, like precise automated masking and AI-based noise reduction, appeared long before Adobe’s still hit-or-miss attempts. It has a comprehensive range of tools that give superb results ,and it continuously gets better. I’ve been a long-time user of this software. Eider on the sea on a stormy day, developed in ON1 Photo RAW MAX 2024.
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